Edinburgh Film Highlights
Amit Sharma
Amit Sharma
| 02-09-2026
Entertainment Team · Entertainment Team
The 2026 Edinburgh International Film Festival brings together films that rarely feel predictable. Its strongest titles move between dark comedy, historical drama, experimental cinema and emotionally charged character stories, often using familiar ideas in unusual ways.
The appeal of this year’s programme lies in variety: one screening may feel playful and eccentric, while the next becomes deeply personal or unsettling.
Edinburgh Film Highlights

Mission

George MacKay leads this intense drama about Dylan, a troubled restaurant worker whose frustration with his job pushes him toward a painful confrontation with his own past.
The film combines psychological pressure with a growing sense of danger, creating a story that feels both personal and unpredictable.

Borges and Me

One of the lighter choices follows a strange but charming episode from literary history.
The story imagines celebrated Argentine writer Jorge Luis Borges travelling through the Scottish Highlands in 1971 with a young student responsible for describing the scenery to him.
The result turns an unlikely journey into an affectionate comedy about literature, friendship and seeing the world through someone else’s words.

Snapshot

This black-and-white horror comedy plays with the history of early cinema. Its story imagines a Victorian inventor developing filmmaking technology earlier than expected and using it to document attempts to uncover the identity of Jack the Ripper.
The unusual mixture of historical mystery, filmmaking and dark humour makes it one of the festival’s stranger experiments.

These Violent Delights

Scottish Ballet reimagines Romeo and Juliet through movement and cinema. Rather than simply recording a stage performance, the film creates its own visual world, compressing Shakespeare’s tragedy into an energetic, highly stylised dance experience.
The result combines physical performance with cinematic storytelling instead of treating ballet as something that must remain inside a theatre.

Pretty Babies

This debut drama follows two young women who leave a restrictive hometown believing Los Angeles will offer fame and freedom. What they find instead is a much harsher entertainment industry, where ambition quickly collides with exploitation.
The film uses their experience to explore the darker side of celebrity culture and the vulnerability of people chasing success.

The Education of Jane

Based on a real 19th-century Scottish legal scandal, this historical drama follows two female teachers facing damaging accusations in an intolerant society.
The film examines reputation, prejudice and the destructive power of public judgment while drawing on a case that later inspired theatrical works.

Queen at Sea

One of the programme’s most emotional films focuses on dementia and the difficult decisions surrounding long-term care.
Tom Courtenay and Anna Calder-Marshall play an elderly couple facing a situation in which both the person receiving care and the partner providing it have become increasingly vulnerable.
Rather than relying on spectacle, the drama draws its power from ageing, responsibility and the limits of love under pressure.

Northbound

Bruce Dern brings warmth and mischief to a story about an older man determined to escape his care home. He recruits his much more cautious grandson and sets out toward Canada, turning the journey into an unconventional family adventure. The film also gives festival audiences the chance to see Dern discussing his long career in person.
Edinburgh Film Highlights

A Festival of Contrasts

Other selections move into surreal psychological territory and provocative neo-noir, ensuring the programme never settles into one mood or genre.
What makes the Edinburgh lineup interesting is not simply the number of unusual films, but how confidently it moves between humour, history, grief, fantasy and experimentation. It is a festival designed for viewers willing to leave familiar formulas behind.